视频简介
乌恩瓦萨（娜塔妮查·纳瓦塔纳瓦尼 Nuttanicha Dungwattanawanich 饰）和男友相恋多年，她知道强势的父亲不会同意这段感情，所以先斩后奏，两人先在美国结了婚，然后她才将男友介绍给父亲。为了保全这段感情，她甚至撒谎说自己的男友是同性恋。 安塔（阿曼娜·古尔 Amena Gul 饰）是个个性大大咧咧的女孩，因为遭受过前男友的背叛所以特别讨厌花心的男人，为了捉住这些花花公子，她决定去做一名侦探，专门调查出轨案件。伊兔（娜妮达·缇查希 Ranida Techasit 饰）性格天真单纯，偏偏爱上了有家室的菲斯特（柯尔士艾达·潘恩温 Krissada Pornweroj 饰），菲斯特虽然已婚，可是和自己的妻子并没有任何的感情，他亦被伊兔深深的吸引着。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。在鳥不生蛋的荒島上過著日復一日生活的流浪貓文森，原以為會這樣平淡無奇地過著他的喵生，沒想到一場洪水之災，不僅讓他與老鼠莫瑞斯成為莫逆之交，也讓兩人意外被運送到擁有超多珍貴館藏的艾米塔吉博物館。文森在那裡遇到了視老鼠為敵的冬宮菁英貓小隊，他們多年來為了保護博物館的館藏不受老鼠侵害不遺餘力，而一直以來都獨自生活在荒島上的文森，渴望擁有許多貓朋友，但又不想失去救了他一命的死黨莫瑞斯，於是雖然他似乎加入了捕捉老鼠的貓小隊，但暗自卻一直掩護莫瑞斯，不讓他被捕獲。 今晚，世界上最偉大的名畫「蒙娜麗莎」即將被送到博物館，莫瑞斯心癢難耐，這是他一生最夢幻的時刻，只要啃一口「蒙娜麗莎」，他就可以在他的家族寫下歷史。而正直善良的文森和他的菁英貓小隊夥伴們似乎也做好了守護「蒙娜麗莎」大作戰的準備，卻沒想到一夜之間「蒙娜麗莎」不翼而飛…。文森能否靠智慧找出名畫的下落，維護博...。
